Remember the Maine
Rye, sweet vermouth and cherry liqueur in an absinthe-rinsed glass — a darker, more aromatic Manhattan.
- Difficulty
- medium
- Prep time
- 4 min
- Strength
- 28.6% ABV
- Glassware
- Coupe glass
- Base
- whisky
- Serves
- 1
Ingredients
- Rye whisky50ml
- Sweet vermouth23ml
- Cherry liqueur10ml
- Absinthe3ml
To rinse the glass; most is tipped out
Garnish: Lemon twist
Method
- Pour the absinthe into a chilled coupe, swirl it to coat the inside, and tip out the excess.
- Add the rye, sweet vermouth and cherry liqueur to a mixing glass filled with ice.
- Stir for about 30 seconds, until very cold.
- Strain into the rinsed coupe and express a lemon twist over the top.
Compared with the IBA specification
The International Bartenders Association lists this drink among its The Unforgettables. Its specification is a standard for training and competition — one reference, not the only right way to make the drink.
CocktailHQ
- 50ml rye whisky
- 22.5ml sweet vermouth
- 10ml cherry liqueur
- 2.5ml absinthe
IBA
- 60 ml Rye Whiskey
- 22.5 ml Sweet Vermouth
- 15 ml Cherry Brandy Luxardo
- 7.5 ml Absinthe
IBA ingredients as published at iba-world.com, retrieved 29 October 2026.
Allergen information
Contains an ingredient commonly associated with:
- Sulphur dioxide and sulphites — usually (sweet vermouth)
Products vary, and this describes ingredients rather than the bottles you use — check every label. It is not a guarantee that a drink is suitable for anyone with an allergy. How this is worked out
Your version
— private notes, kept on this device
Change a measure, note what you changed and why. It stays in this browser — it is not sent to CocktailHQ, not counted by analytics, and not shown to anyone.
Equipment
Don't have everything? Here's what works instead.
Mixing glass
Household swap: A sturdy pint glass.
Glass and ice
No ice in the glass
Served up, the drink was chilled and diluted in the shaker or mixing glass and goes into a chilled glass without ice.
Over a large cube it stays cold longer, but keeps diluting — it becomes a different, slowly lengthening drink.
About 113ml once mixed
The recipe's coupe glass is typically 150–250ml.
- Workable:
- nick & nora glass, martini glass, champagne flute, rocks glass
- Oversized but acceptable:
- wine glass
- Unsuitable:
- highball glass
Needs a glass of about 119–126ml brimful.
How this is worked out
- A drink with no ice needs a little of the glass left empty — about a tenth — so it can be carried without spilling and has room for aroma.
- Filled to the top with cubes or packed crushed ice, roughly half to three-fifths of a glass is left for the drink.
- A drink built in the glass dilutes from the ice already there, so its melt water is not added on top.
- One large cube takes up roughly 65–125ml, from a sphere to a 5cm cube.
- Glass capacities are brimful and vary by maker — your own glass, measured with water, is the figure to trust.
Missing an ingredient?
Each swap below says what it changes and how to correct for it, so you can decide whether you are making this drink or a neighbouring one.
Instead of Rye Whisky
Best substitute: Bourbon
This is the base in this drink.
Quantity: Same amount
Flavour impact: Rounder and sweeter; pull the cherry back to 7.5ml.
What changes
Expect more sweetness, less bitterness and less strength. Still a good drink, and a slightly different one.
- Sweetness ↑
- The drink will land sweeter, which also makes it read as less sharp and slightly heavier even though nothing else changed.
- Bitterness ↓
- Losing bitterness makes the drink rounder and more approachable, and takes away the structure that stopped it tasting like squash.
- Strength ↓
- Bourbon is 40% ABV against 45%. A weaker bottle makes a softer drink — genuinely pleasant, but a different drink from the one written down.
- Character
- you lose spicy, dry, peppery and assertive, and you gain sweet, caramel, vanilla and oaky. Numbers can't see this: two ingredients can be identically sour and still smell nothing alike.
To correct for it
- Cut the syrup or sugar back — start by halving it and taste before adding any back.
- A dash of bitters restores some of the backbone without changing anything else.
- Pour a fraction more, or shorten the dilution slightly, to keep the shape of the original.
Moderate confidenceShifts the drink
Make it better
- Charles H. Baker, who printed it, told readers to stir it clockwise. It makes no difference; it is a good story.
- A spicy, higher-strength rye holds up best against the cherry.
- Cherry Heering is the usual choice; a darker, drier cherry liqueur makes a less sweet drink.
- Chill the glass in the freezer for a few minutes beforehand — a warm glass takes the edge off a well-made drink fast.
- Express the citrus peel by pinching it, skin-side down, over the drink before dropping it in — this releases aromatic oils across the surface.
- Adjust sweetness gradually and taste as you go — it's easy to add more syrup, impossible to take it out.
Rescue this drink
- Cough-syrupy
- Too much cherry liqueur. Cut it to 7.5ml.
- Tastes of aniseed
- Tip out the absinthe rinse completely; only the coating should remain.
- So cold you cannot taste itgeneral guidance
- Spirit-forward drinks served up have a window: too warm and the alcohol burns, too cold and the aromatics stop volatilising and the drink reads as flat and numb. If it arrives correct and improves over the first few minutes, you have over-chilled it — shorten the stir slightly rather than skipping the freezer glass, because a warm glass ruins more drinks than a cold one.
Make ahead & storage
Batches well
Everything in this can be mixed days ahead and kept cold. It is one of the drinks to build a party menu around.
Add about 22% water to the batch to replace what the ice would otherwise contribute, or it will pour noticeably harsher than a fresh one.
Make it lighter
As written, about 2.9 UK units at roughly 28.6% ABV once diluted. 4 of six ways to lighten it work for this recipe. Units are an estimate of what is in the glass, not advice about drinking.
A smaller serveSupportedabout 1.9 units, 28.6% ABV
Every measure at two-thirds. The balance is untouched because the proportions are; the only trade-off is a smaller drink — use a smaller glass so it doesn't look stingy.
- 33ml Rye Whisky
- 15ml Sweet Vermouth
- 7ml Cherry Heering
- 2ml Absinthe
Reverse the ratioSupportedabout 2.2 units, 21.4% ABV
Two parts sweet vermouth to one of rye whisky. Reversed Martinis and Manhattans are long-standing variations: softer and more aromatic, and the sweet vermouth needs to be fresh.
- 25ml Rye Whisky
- 50ml Sweet Vermouth
- 10ml Cherry Heering
- 3ml Absinthe
Split the base with a lower-strength modifierSupportedabout 2.5 units, 24.8% ABV
Equal parts rye whisky and sweet vermouth: the "fifty-fifty" treatment, at the same volume, for a rounder and softer drink.
- 36ml Rye Whisky
- 36ml Sweet Vermouth
- 10ml Cherry Heering
- 3ml Absinthe
Replace part of it with an alcohol-free bottlePossible, with a trade-offabout 2.7 units, 26.9% ABV
Half the sweet vermouth with alcohol-free vermouth. Only a modifier has an alcohol-free counterpart here, so the saving is modest. Some alcohol-free bottles carry a trace of alcohol — check the label if that matters to you.
- 50ml Rye Whisky
- 11ml Sweet Vermouth
- 11ml Alcohol-Free Vermouth
- 10ml Cherry Heering
- 3ml Absinthe
Not recommended for this drink: a longer serve; give it the spritz treatment
- A longer serve. A stirred, spirit-and-vermouth drink is about concentration and texture. Soda turns it into something thin and confused. Note: the same alcohol in more liquid — weaker per sip, not fewer units.
- Give it the spritz treatment. Sparkling wine for the base spirit leaves a fizzy vermouth, not a lighter version of the drink. Add the fizz last, at the glass.
Or make something lighter by design: Vieux Carré. All lighter drinks
What it tastes like
The taste, and what drives it
sweet, soft, light — a spirit and modifier drink served straight up, no ice.
Sweet
Dry → Sweet
Openly sweet, and balanced by something else rather than hidden.
What drives it: Cherry liqueur — carries the most sugar into the glass.
Gently bitter
Gentle → Bitter
Bitterness as structure — it stops the drink tasting like squash without being the point.
What drives it: Rye whisky — provides the bitterness.
Light
Light → Rich
Light-bodied. It refreshes rather than satisfies, which is usually the intention.
What drives it: Rye whisky — adds most of the weight.
Very bold
Delicate → Bold
Very bold — concentrated, and served small for that reason.
What drives it: Rye whisky — is the most concentrated thing in the glass.
What you smell first
- Baking spiceLeads
From Rye whisky, Cherry liqueur
- Citrus peelLeadsBefore the first sip
From Lemon twist
- Fresh herb
From Sweet vermouth
- Oak
From Rye whisky
- Stone fruit
From Cherry liqueur
Aromas marked as sitting above the drink reach you before the first sip — skipping that garnish changes the drink more than its size suggests.
How it was worked out
Each reading comes from the recipe's own recorded taste scores combined with what each ingredient contributes, weighted by how much of it is in the glass. Almost everything in this drink has detailed ingredient data behind it.
How balance actually works →If it isn't right
What goes wrong with this drink, and why
Only the faults this particular recipe is actually prone to — open one for the likely cause, the adjustment, and what the adjustment costs you.
This drink is only as good as the vermouth in it
Degrades itVermouth is wine and oxidises within weeks of opening. A stale bottle is the single most common reason a stirred drink tastes dull rather than complex.
How to handle it: Refrigerate it after opening, buy the small bottle, and replace it more often than feels reasonable.
It's too sweet
- Likely cause
- Cherry liqueur is carrying the sugar here, and it is the easiest thing in the drink to over-pour — syrup clings to a jigger and a "splash" is rarely the same twice.
- What to change
- Cut cherry liqueur by about a third and rebuild. If it is already made, a little more of the base spirit or a dash of bitters will pull it back faster than starting again.
- What that does
- It will taste drier, and the base and any bitter or herbal notes come forward from behind the sugar.
- The trade-off
- Sugar carries body as well as sweetness, so you lose a little weight along with it.
It's too bitter
- Likely cause
- Rye whisky is doing this deliberately, but bitterness also builds across a drink rather than announcing itself — the last mouthful is more bitter than the first even though nothing changed.
- What to change
- Lengthen it slightly, or add a small amount of sweetener. Do not add more of anything sour; acid sharpens bitterness rather than covering it.
- What that does
- The bitterness softens and the drink gets longer or rounder.
- The trade-off
- If you were hoping to keep it short and strong, this is the trade you are making — and sugar added to a bitter drink can make it taste cloying rather than balanced.
It's too strong
- Likely cause
- Rye whisky dominates by design here — this is a drink built to be sipped, and the proportion of spirit to everything else is the point of it.
- What to change
- Stir a little longer, or add a measured 5–10ml of water. For a lasting change, pour a smaller measure of the base and keep the rest of the spec the same.
- What that does
- Alcohol presence drops and the aromatics open up — a slightly diluted spirit-forward drink usually smells better, not worse.
- The trade-off
- Go too far and it stops being the drink it was: spirit-forward drinks lose their character faster than long drinks do when watered.
It tastes harsh or hot
- Likely cause
- Almost always under-dilution. Stirring is how this drink gets its water — around 25% of the finished drink — and stopping early leaves alcohol heat that dilution would have rounded off.
- What to change
- Stir for longer — taste a drop off the spoon, and stop when the burn has receded rather than at a fixed count.
- What that does
- The heat recedes, the drink tastes rounder, and flavours that were masked by alcohol come forward.
- The trade-off
- Dilution is a target, not a direction: past it the drink goes watery and loses concentration, which is harder to undo than harshness.
It's watery
- Likely cause
- Stirring adds water while it chills, and the two cannot be separated. Wet ice from a freezer door, or small cubes, will over-dilute before the drink is properly cold.
- What to change
- Use bigger, drier, colder ice and stop sooner. Chilling the glass first buys you time you would otherwise spend diluting.
- What that does
- More flavour concentration at the same temperature.
- The trade-off
- Under-dilute instead and the drink will taste harsh — the aim is the right amount of water, not the least.
It isn't cold enough
- Likely cause
- Served without ice, this drink is at its coldest the moment it leaves the mixing glass and warms from the first sip. A room-temperature glass takes a surprising amount of that cold straight back out.
- What to change
- Chill the coupe glass first — ten minutes in the freezer, or filled with ice and water while you mix — and strain the moment you stop stirring.
- What that does
- The drink stays in its best range for longer, and the first sip tastes the way it was balanced.
- The trade-off
- Very cold drinks smell of less, because aroma needs some warmth to leave the glass. A smaller serve that is finished cold beats a bigger one that is finished warm.
It doesn't smell of anything
- Likely cause
- The aroma you are missing is probably citrus peel, which sits above the drink rather than in it — skipping or under-expressing the garnish removes it entirely.
- What to change
- Express the peel over the surface with the skin facing the drink, then drop it in. Herbs go in the glass, not on the side.
- What that does
- Aroma arrives before flavour does, so the whole drink reads as more intense without a single measure changing.
- The trade-off
- The oil does land in the drink, though — an over-expressed peel adds a faint bitterness to the first mouthful.
It tastes one-dimensional
- Likely cause
- With 4 components there is nowhere for complexity to hide — a drink this simple is exposed by design, so a dull one is usually a dull ingredient rather than a missing step.
- What to change
- Change the quality of what is there before adding anything new: a better base bottle, a dash of bitters. Bitters add layers at a scale nothing else matches.
- What that does
- More going on at the same strength and sweetness.
- The trade-off
- Adding a whole extra ingredient instead usually produces a muddier drink rather than a deeper one — and a better bottle costs more.
It's cloudy when it should be clear
- Likely cause
- Two possible causes. Absinthe clouds (louches) when water meets it, which is expected and harmless; otherwise the drink was shaken or churned, which whips in air and ice shards.
- What to change
- Stir smoothly with the back of the spoon against the glass, using fresh, clean ice, and strain through a fine strainer if your ice is chipped.
- What that does
- A clear drink with the dense, silky texture a stirred drink is meant to have.
- The trade-off
- Stirring takes longer than shaking to reach the same temperature, and the drink will be a little less cold for the same effort.
My batch tastes worse than the first glass
- Likely cause
- sweet vermouth is the part of this drink that changes on standing — citrus loses its brightness, opened wine-based ingredients oxidise, and fizz escapes. The spirits are not the problem.
- What to change
- Store it cold, in a bottle filled close to the top, and keep anything wine-based refrigerated. Decant into smaller bottles as it goes down.
- What that does
- The last glass from the batch tastes like the first.
- The trade-off
- Adding components at service brings some of the work back to the moment you were trying to free up — measure them out in advance to keep it quick.
The garnish is all I can taste
- Likely cause
- The lemon twist sits right under your nose, so it arrives before the drink does. Expressed peel oil is intense, and a peel left in keeps releasing it.
- What to change
- Express the peel over the drink, then discard it rather than dropping it in.
- What that does
- The garnish frames the drink rather than replacing it.
- The trade-off
- Too little and the drink loses its first impression — the garnish is doing a real aromatic job here, so ease off rather than leave it out.
Each drink comes out different
- Likely cause
- With 4 measured components, a few millilitres' drift in each adds up, and a mixing glass loaded for four chills and dilutes differently from one made for one.
- What to change
- Measure every pour with a jigger, and stir no more than two at a time. Pre-mix rye whisky, sweet vermouth, cherry liqueur, absinthe in a bottle beforehand so each round starts from the same base.
- What that does
- The fifth drink of the evening tastes like the first, at the same strength and balance.
- The trade-off
- Smaller batches mean more rounds of shaking or stirring; pre-mixing saves time but only for what keeps.
It tastes flat, dull or like old wine
- Likely cause
- Sweet vermouth is wine, and once a bottle is opened it starts to oxidise: the fresh, herbal top notes go first and a flat, nutty or sour edge comes in. Nothing else in the drink can put them back.
- What to change
- Taste sweet vermouth on its own. If it is dull, open a fresh bottle — and keep the next one in the fridge with the cap on, or buy a smaller size.
- What that does
- The drink regains its aroma and tastes brighter, without any change to the spec.
- The trade-off
- A fresh bottle for one drink is a cost; small bottles cost more per millilitre but waste less.
Something else wrong? Open this drink in the Recipe Doctor.
Taste profile
- Sweetness
- 3/5
- Sourness
- 0/5
- Bitterness
- 2/5
- Strength
- 4/5
- Fruitiness
- 2/5
- Freshness
- 1/5
- Creaminess
- 0/5
- Smokiness
- 0/5
Nutrition & alcohol
Estimate only- Calories
- 190 kcal
- Sugar
- 7 g
- Carbohydrates
- 8 g
- Alcohol units (UK)
- 2.88
- US standard drinks
- 1.61
- ABV
- 28.6%
- Serving size
- 100 ml
Show calculation assumptions
Source: Calculated from standard measures
Calorie breakdown: ~158 kcal from alcohol, ~32 kcal from sugar and mixers.
Likely range: 143–238 kcal, reflecting the confidence level above — not a lab-measured figure.
Assumes rye at 45% ABV, sweet vermouth at 16%, cherry liqueur at 24% and about 22% dilution from stirring.
These figures are estimates, not laboratory measurements — individual tolerance to alcohol varies. See our responsible drinking guidance.
Variations
IBA proportions
60ml rye, 22.5ml sweet vermouth, 15ml cherry liqueur and 7.5ml absinthe.
What kind of drink this is
The structure behind the recipe
A stirred build: a spirit and modifier whisky-based drink, served straight up, no ice — silky and dense in the mouth.
Spirit and modifier
Spirit combined with an aromatised or flavoured modifier and little else — concentrated, and served small for exactly that reason.
Base
Rye whisky
Modifier
Sweet vermouth
Sweet element
Cherry liqueur
Aromatic
Absinthe
Drinks built this way are collected as the Manhattan family.
Technique
stirred
The liquid is moved around the ice rather than against it, so it chills and dilutes with almost no air incorporated and almost no ice broken up.
A heavy, silky, completely clear drink. Alcohol reads more sharply than in the same drink shaken, because nothing has softened it.
What it ruins: Nothing outright, but it will not combine egg, dairy or thick syrup — those need force.
Everything about stirring →How the technique works →Dilution
During mixing, then strained
Water from ice typically makes up around 25% of the finished drink for a stirred build (commonly 20–30%). Dilution is an ingredient here, not a side effect.
Why dilution is an ingredient →Served
Straight up, no ice
Coupe glass · 100ml
Chilled during mixing and then strained away from the ice, so it arrives at its coldest and most concentrated and warms from the first sip — which is why 100ml is the right size for it.
Texture and aroma
Stirred without aeration, the drink stays heavy and slightly viscous in the mouth.
Aroma arrives before flavour does. A citrus twist is expressed over the surface so its oils sit on top of the drink — skipping it changes the drink more than its size suggests.
Where to go from here
Each of these is here because of something specific about this drink, not as a standard set of links.
Drinking this with food: a digestif, properly
On its recorded taste scores this drink meets the test for a digestif, properly — the page explains the principle behind it rather than simply asserting the pairing.
Understanding why drinks work
Once you can make this, the intermediate path is where recipes stop being things to memorise.
Where it comes from
Origin and family
Origin of the Remember the Maine
Printed by Charles H. Baker Jr. in The Gentleman's Companion (1939), and named after the rallying cry that followed the sinking of the USS Maine in Havana harbour in 1898.
The IBA uses 60ml rye, 22.5ml sweet vermouth, 15ml cherry liqueur and an absinthe rinse. This uses less rye and less cherry.
Family
Manhattan2 parts aged spirit · 1 part sweet vermouth · 2 dashes bitters — stirred, served up or over a large cube.
On drinks history
Cocktail origin stories are frequently repeated and rarely evidenced. Our history section separates what is documented from what is folklore rather than picking whichever version reads best.
History and culture →Try this next
- Vieux CarréVieux Carré
You may like this because it's part of the same manhattan family as the Remember the Maine.
- Monkey GlandMonkey Gland
You may like this because it shares a fruity-forward profile with the Remember the Maine, but uses gin instead of whisky.
- TipperaryTipperary
You may like this because it shares a strong taste profile with the Remember the Maine.
Use up your ingredients
Bought a bottle just for this? Here's what else it's good for.
Related tools
Scale this for a party
Work out bottles, mixers, ice and total alcohol units for any number of guests.
How far a bottle goes
Drinks per bottle, which bottle runs out first, batching — and the cost, at your own prices.
Recipe confidence
The printed source and the origin of the name are documented.