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CocktailHQ

In order, with the gaps showing

A cocktail history timeline

Punch to the craft revival, arranged chronologically — and honest about which transitions are documented and which are simply repeated.

Most cocktail timelines present a clean sequence of inventions with confident dates. That neatness is largely manufactured: outside a handful of printed sources, the record is thin, and the tidier a timeline looks the more it is usually inventing.

This one orders what the history section actually establishes. Across all 9 topics there are 46 individual claims, and they break down as 30 documented, 7 widely reported, 5 disputed and 4 folklore. The last two categories are the interesting ones.

How to read the labels

documented
Supported by contemporary printed sources — a dated book, menu, newspaper or legal record.
widely-reported
Consistently repeated across reputable modern drinks writing, but without a contemporary source we can point to.
disputed
Two or more serious accounts contradict each other, and the disagreement has never been settled.
folklore
A good story with no supporting evidence. Repeated here because you will encounter it, not because it is true.

The sequence

Period by period

  1. What tequila and mezcal actually are, why agave spirits are slower to make than any other category, and which parts of the popular story are marketing.

    5 documented · 1 widely reported · 1 disputed · 0 folklore

  2. Where rum actually comes from, why Jamaican and Cuban rum taste nothing alike, and the history the category is built on.

    5 documented · 1 widely reported · 0 disputed · 0 folklore

  3. The first printed definition of a cocktail, the first bartending manual, and why almost everything else about the word's origin is guesswork.

    2 documented · 1 widely reported · 0 disputed · 2 folklore

  4. The one drinking culture where bitterness is the point, how it actually works in practice, and why the Negroni's origin story is shakier than it sounds.

    2 documented · 1 widely reported · 1 disputed · 0 folklore

  5. Why so much of the classic canon is traceable to a handful of hotel bars, and what their published books actually record.

    2 documented · 1 widely reported · 1 disputed · 0 folklore

  6. What is genuinely distinctive about Japanese bartending, what is documented, and why the 'Japanese precision' narrative deserves scepticism as well as respect.

    5 documented · 0 widely reported · 1 disputed · 1 folklore

  7. What the historical record supports about American Prohibition's effect on drinking — and the one story about it that almost certainly isn't true.

    3 documented · 1 widely reported · 0 disputed · 1 folklore

  8. Where tropical drinks actually came from, why the Mai Tai's authorship has never been settled, and the part of the story that is not about drinks at all.

    3 documented · 0 widely reported · 1 disputed · 0 folklore

  9. How the classics came back, what the revival got right, and the habits it introduced that are worth leaving behind.

    3 documented · 1 widely reported · 0 disputed · 0 folklore

Where the recipes sit

The catalogue, by period

Recipes placed confidently into a period — anything whose dating is genuinely disputed is left unplaced rather than guessed.

Pre-Prohibition

31

1800s–1919

The drinks that were already established before American Prohibition closed the bars — the foundation the rest of the canon is built on.

Prohibition era

16

1920–1933

Drinks that emerged or were first recorded while American bars were shut and the trade had scattered to London, Paris and Havana.

Mid-century

33

1934–1979

Post-repeal drinking: tiki, the vodka boom, and the rise of the branded cocktail.

Modern classics

27

1980 onward

Drinks invented recently enough that we usually know who made them, and established enough that bars are expected to know them.

What this timeline does not do

It does not date individual drinks. Cocktail invention dates are the least reliable part of the whole subject, and the site records a period for a recipe only where the placement is uncontested — which is why the Mai Tai has none despite everyone "knowing" when it was made.

It also does not fill the gaps between periods with narrative. The transitions between these movements are far less documented than the movements themselves, and a smooth story would be the invention this section exists to avoid.